"This music has been with me for more than 30 years in a search for personal expression. It is like a navigator's log that is brought to life through new experiences and is constantly changing. On this album I have taken a risk to merge archaic songs of Northwestern Argentina with techniques of contemporary improvisation and free jazz, while trying to respect the depth of the original musical expression." Marcelo Peralta.

The musical pieces that make up this sound document are not easily classifiable according to the usual taxonomy of musical genres. Sound, like a passing wind, cannot be caught—though perhaps its vibrations can be recorded, along with its resonances and the multiple voices that unfold across indiscernible acoustic planes, in a thousand plateaus of sound. Capturing these resonances requires a sharp, deep ear, sensitive to the whistling of reeds pierced by the wind. But it also requires an eye sensitive to resonances with other forms of expression, such as the plastic arts and concepts. Music, visual art, and text blend here to give life to a musical expression that is the result of long preparation—which is to say, an improvisation. These sonic textures, which unfold in points, lines, shapes, and colors much like the works of Rothko, are musical improvisations based on archaic chants from Northwest Argentina; as Deleuze and Guattari would say in A Thousand Plateaus, they are here to “join with forces of the future, cosmic forces… one launches forth, hazards an improvisation… to improvise is to join with the world, or meld with it…” Juan Calvi.